Hi,
The term "thermal breaker" a bit ambiguous, so I should have been clearer in post #7. Apologies
Yes, you're right - they are "thermal breakers" that respond to a localised temperature rise caused by the current that is flowing through them. Conceptually, think of them as being a low-value wire-wound resistor and a bi-metallic strip that opens/closes contacts in series with the resistance. The surrounding ambient temperature shouldn't really influence them all that much - which is why they are in a plastic case that provides thermal insulation.
This sort of breaker can be integrated into switches - here's an example of a type that I've used:
http://uk.farnell.com/schurter/ta45-abtw...dp/1214776 - they're expensive, but luckily the ones I've collected were "recycled"
Thermal breakers have the advantage of slow operation, so peak in-rush currents won't cause "nuisance tripping". Just like a regular fuse, the time to trip is a function of how severe the overload it - there's a nice graph on this datasheet:
http://www.farnell.com/datasheets/1684939.pdf
So in the case of an audio amplifier, the temperature rise inside the breaker is a function of the
average current delivered to the loudspeakers. Now, as we know, decent music has a very high "PMR" - peak to mean ratio - so an average-responding thermal cut-out seems like a good idea in theory... But, while the transistors are interested in averages because that's what determines the heat sink temperature, they are especially interested in the
peak currents, as that's what tends to kill them
I've never been 100% sure why manufacturers like NAD are so fond of these breakers. They don't protect the transistors from peak currents, and surely it would be better to monitor the heat sink temperature directly? A direct short on the output won't trip the breaker in time to save the transistors. They are hoping that the conventional fuses will open before the transistors fail, but we all know that designers put the semiconductors in to protect the fuses
So that gets us back to the other type of thermal breaker - the type I linked to in post #2. With these, there is no series resistance to speak of - the bi-metallic strip responds directly to the temperature of the surface it's attached to. Personally, I believe that all amplifiers should use these - if nothing else, there are strict rules about how hot a case is allowed to become...
I do think that thermal cutouts (the series-resistor type) might have a place in protecting loudspeakers, where here the average current will have a close relationship to the voice coil temperature. I can't think of a loudspeaker that has used these. Perhaps the worry is how the users might respond to the sudden lack of sound? I've seen halogen bulbs in series with loudspeakers (very common in PA applications), and I've seen "polysilicon" devices (I think it was Mordant-Short who liked those, back in the 1980s IIRC).
To digress slightly, you might be aware that a typical MCB uses a combination of approaches. For the required use in a consumer unit or similar, a thermal breaker is rather too slow in action, but a magnet breaker is too fast. But you can combine both principles in the same unit, and hopefully avoid nuisance tripping. You can get MCBs with different response times, of course... Having said all that, I've never got around to dissecting an MCB to see the mechanics - has anyone tried?
Anyway, have you had a chance to make any progress with the amp yet?
Cheers,
Mark